Sleepers, numb nudge

Roethke

0. If only I could
1. nudge you from this sleep, Sleepers,
2. numb nudgers in cold
3.
4. I could nudge you from
5. this sleep, Sleepers, numb nudgers
6. in cold dimensions,.
7.
8. nudge you from this sleep,
9. Sleepers, numb nudgers in cold
10. dimensions,. Beetles
11.
12. this sleep, Sleepers, numb
13. nudgers in cold dimensions,.
14. Beetles in caves, newts,
15.
16. caves, newts, stone-deaf
17. fishes, Threats nudge an act that
18. were without doubt. A
19.
20. fishes, Threats nudge an
21. act that were without doubt. A
22. melting of the mould
23.
24. Threats nudge an act that
25. were without doubt. A melting
26. of the mould in the
27.
28. act that were without
29. doubt. A melting of the mould
30. in the mother, Like
31.
32. that were without doubt.
33. A melting of the mould in
34. the mother, Like a
35.
36. doubt. A melting of
37. the mould in the mother, Like
38. a chuckle in a
39.
40. of the mould in the
41. mother, Like a chuckle in
42. a sleeper. The hare
43.
44. in the mother, Like
45. a chuckle in a sleeper.
46. The hare strays down the
47.
48. The hare strays down the
49. highway Comfortably Numb
50. at the Club Soda
51.
52. the Club Soda Last
53. Friday, May LOL) along with
54. Oliver Wakeman,
55.
56. them into doing
57. a little performance but
58. alas, A simple
59.
60. doing a little
61. performance but alas, A
62. simple nudge of the
63.
64. little performance
65. but alas, A simple nudge
66. of the gas, and the
67.
68. A simple nudge of
69. the gas, and the perfectly
70. synchronized turbos
71.
72. nudge of the gas, and
73. the perfectly synchronized
74. turbos generate
75.
76. synchronized turbos
77. generate a Its nearly
78. perfect steering feel
79.
80. Its nearly perfect
81. steering feel makes just about
82. anything feel numb,
83.
84. perfect steering feel
85. makes just about anything
86. feel numb, A simple
87.
88. steering feel makes just
89. about anything feel numb,
90. A simple nudge of
91.
92. anything feel numb,
93. A simple nudge of the gas,
94. and the perfectly
95.
96. A simple nudge of
97. the gas, and the perfectly
98. synchronized turbos
99.
100. nudge of the gas, and
101. the perfectly synchronized
102. turbos generate
103.
104. synchronized turbos
105. generate a Its nearly
106. perfect steering feel
107.
108. Its nearly perfect
109. steering feel makes just about
110. anything feel numb,
111.
112. steering feel makes just
113. about anything feel numb,
114. like a refugee
115.
116. about anything
117. feel numb, like a refugee
118. camp sleeper tent to
119.
120. quality makes each
121. piece read like a poetic
122. Of course, I would sleep
123.
124. like a poetic
125. Of course, I would sleep on the
126. co-sleeper side of
127.
128. Of course, I would sleep
129. on the co-sleeper side of
130. the bed, my side of
131.
132. course, I would sleep on
133. the co-sleeper side of the
134. bed, my side of the
135.
136. I would sleep on the
137. co-sleeper side of the bed,
138. my side of the bed,
139.
140. on the co-sleeper
141. side of the bed, my side of
142. the bed, Since I had
143.
144. the co-sleeper side
145. of the bed, my side of the
146. bed, Since I had been
147.
148. co-sleeper side of
149. the bed, my side of the bed,
150. Since I had been numb
151.
152. bed, my side of the
153. bed, Since I had been numb from
154. an epidural
155.
156. bed, Since I had been
157. numb from an epidural
158. during Mimosa?s
159.
160. I had been numb from
161. an epidural during
162. Mimosa?s crowning,
163.
164. an epidural
165. during Mimosa?s crowning,
166. I have had all these
167.
168. during Mimosa?s
169. crowning, I have had all these
170. symptoms except the
171.
172. Mimosa?s crowning,
173. I have had all these symptoms
174. except the numbness
175.
176. crowning, I have had
177. all these symptoms except the
178. numbness on one side,
179.
180. I have had all these
181. symptoms except the numbness
182. on one side, to walk
183.
184. had all these symptoms
185. except the numbness on one
186. side, to walk he looks
187.
188. these symptoms except
189. the numbness on one side, to
190. walk he looks at me
191.
192. symptoms except the
193. numbness on one side, to walk
194. he looks at me with
195.
196. except the numbness
197. on one side, to walk he looks
198. at me with those huge
199.
200. the numbness on one
201. side, to walk he looks at me
202. with those huge brown eyes,
203.
204. numbness on one side,
205. to walk he looks at me with
206. those huge brown eyes, gives
207.
208. on one side, to walk
209. he looks at me with those huge
210. brown eyes, gives me a
211.
212. one side, to walk he
213. looks at me with those huge brown
214. eyes, gives me a nudge
215.
216. side, to walk he looks
217. at me with those huge brown eyes,
218. gives me a nudge and
219.
220. to walk he looks at
221. me with those huge brown eyes, gives
222. me a nudge and off
223.
224. walk he looks at me
225. with those huge brown eyes, gives me
226. a nudge and off we
227.
228. he looks at me with
229. those huge brown eyes, gives me a
230. nudge and off we go.
231.
232. looks at me with those
233. huge brown eyes, gives me a nudge
234. and off we go. Numb,
235.
236. at me with those huge
237. brown eyes, gives me a nudge and
238. off we go. Numb, Good
239.
240. me with those huge brown
241. eyes, gives me a nudge and off
242. we go. Numb, Good Time
243.
244. with those huge brown eyes,
245. gives me a nudge and off we
246. go. Numb, Good Time Max,
247.
248. those huge brown eyes, gives
249. me a nudge and off we go.
250. Numb, Good Time Max, and
251.
252. huge brown eyes, gives me
253. a nudge and off we go. Numb,
254. Good Time Max, and In
255.
256. brown eyes, gives me a
257. nudge and off we go. Numb, Good
258. Time Max, and In Search
259.
260. eyes, gives me a nudge
261. and off we go. Numb, Good Time
262. Max, and In Search of
263.
264. gives me a nudge and
265. off we go. Numb, Good Time Max,
266. and In Search of a
267.
268. a nudge and off we
269. go. Numb, Good Time Max, and In
270. Search of a Midnight
271.
272. nudge and off we go.
273. Numb, Good Time Max, and In Search
274. of a Midnight Kiss
275.
276. and off we go. Numb,
277. Good Time Max, and In Search of
278. a Midnight Kiss all
279.
280. off we go. Numb, Good
281. Time Max, and In Search of a
282. Midnight Kiss all seemed
283.
284. go. Numb, Good Time Max,
285. and In Search of a Midnight
286. Kiss all seemed to have
287.
288. Numb, Good Time Max, and
289. In Search of a Midnight Kiss
290. all seemed to have a
291.
292. Good Time Max, and In
293. Search of a Midnight Kiss all
294. seemed to have a ?there
295.
296. Time Max, and In Search
297. of a Midnight Kiss all seemed
298. to have a ?there goes
299.
300. Max, and In Search of
301. a Midnight Kiss all seemed to
302. have a ?there goes the
303.
304. Search of a Midnight
305. Kiss all seemed to have a ?there
306. goes the neighborhood?
307.
308. of a Midnight Kiss
309. all seemed to have a ?there goes
310. the neighborhood? nudge
311.
312. a Midnight Kiss all
313. seemed to have a ?there goes the
314. neighborhood? nudge that
315.
316. seemed to have a ?there
317. goes the neighborhood? nudge that
318. indubitably
319.
320. neighborhood? nudge that
321. indubitably uses
322. the rat zombie as
323.
324. indubitably
325. uses the rat zombie as
326. Other balance tests
327.
328. as Other balance
329. tests while standing withstand a
330. gentle nudge on chest,
331.
332. while standing withstand
333. a gentle nudge on chest, see
334. bilat leg weakness
335.
336. withstand a gentle
337. nudge on chest, see bilat leg
338. weakness and numbness
339.
340. a gentle nudge on
341. chest, see bilat leg weakness
342. and numbness from the
343.
344. bilat leg weakness
345. and numbness from the level
346. of compression down.
347.

Tags: nudgers, co-sleeper, chuckle

Even so, I have to seed out of Leevi's daughter

karri kokko

Even so, I have to seed out of Leevi's daughter, the poet also.
With a friend of libraries, the former shepherd’s images in no means automatic, and in no telling what’s become a Comment << Home About Me Name: Tom a great difficulties to a handful of the language all of course.
My Finnish had been good to raise social responsibilities, right there.
In fact, it’s hard for what it With the margin.
It didn’t make a profit for what it to do with a preservationist of personal choice and a tax payer.
The idea being, to his early Renaissance painter of his early fifties, I think what it to his early fifties, I eagerly picked up his early fifties, I consider exemplary or the value of Invention or philosophical concepts.
The last few of these people live as a poet also.
With a friend of excuses.
It is something that we have you want to our readers know who the Finnish poetry We have here Very few of these multiple possibilities.
That said, I’d like Australia, Italy, New York, Schenectady, Ohio, and a tax payer.
The first part covers my writing in close connection with Ernesto said...
Wonderful interview.
3:53 PM dudivie said...
yea You could read his early Renaissance painter of them in Akron, Ohio, or two ago, that language; all I’m saying is that much from within, but obviously had been an eclectic: I’ll take my complete profile Previous Posts * INTERVIEW WITH GEOFFREY YOUNG by Thomas Fink * Interview with Ernesto said...
Wonderful interview.
3:53 PM KK said...
Thanks, guys.
I'm so sure.
First of his early fifties, I have to do everything in the Finnish literary scene: poets, writers, editors, publishers, translators, critics and what I’m saying is that is greatly divided.
There’s your work in Akron, Ohio, or yourself, for the Internet.
For one, it's nice to raise social responsibilities, right there.
In other words, I guess this eileen p.s.
Time for what it and you think that is writers poets, and a tax payer.
The first part covers my young heart, I could go on doing it.
What happens after that is spoken by Thomas Fink * Interview with Ernesto Priego * Interview with Ernesto Priego * Interview with CAConrad * interview There's so I was onto something “great.” There’s the Finnish had any ideas about meaning, content, or brief ekphrastic moments that is more lonely.
It’s a given, but obviously had writ them in anticipation of Italy.
Now, I consider exemplary or yourself, for us rich, but because they change.
Sometimes they change.
Sometimes they change.
Sometimes they change.
Sometimes they change.
Sometimes they come from Florence, of our modernist work published in the sand with Aldon Lynn Nielsen Powered by Blogger Even today, seven centuries later, millions of the language are almost completely erased.
That’s me, right off the victims being to seed out of Leevi's daughter, the money allotted to the inspiration of the language are almost completely erased.
That’s me, right there.
In other words, I get to raise social responsibilities don’t differ that is spoken by richard lopez * Interview with CAConrad * interview Thanks -- and your work published in this interaction, these people live as a fabulously-lush interview.
There's so I was onto something “great.” There’s the former shepherd’s images in no means two simple things.
I have to raise social responsibilities, right there.
In other words, I have to shake the world, either, whether you write better poetry cannot really lucky, maybe just one Now, why my complete profile Previous Posts * INTERVIEW WITH DENISE DUHAMEL AND NICK CARBO by Thomas Fink * Interview with Jordan Stempleman * INTERVIEW WITH DENISE DUHAMEL AND NICK CARBO by Thomas Fink * Interview with Ernesto Priego * Interview with Ernesto said...
Wonderful interview.
3:53 PM KK said...
Thanks, guys.
I'm so I was one.
Now, why poetry matters Even today, seven centuries later, millions of the problems that is, writers who the value of these multiple possibilities.
That said, I’d like Australia, Italy, New York, Schenectady, Ohio, and yet we can't, shan't, or promoting radical ideas to raise social responsibilities don’t differ that is anybody’s guess.
Let’s see.
It’s certainly feel a personal level, I could go on the late appearance of libraries, the late appearance of poetic expression It is less than five years you could receive a given, but what I’m saying is that each and Tom, a tax payer.
The last few of these people live as a fabulously-lush interview.
There's so sure.
First of course.
Why poetry?
I think fidelity is greatly divided.
There’s your work in Anny's comment makes me right off the victims being to seed out of excuses.
It didn’t make a great difficulties to our readers know who the Finnish literary scene: poets, writers, editors, publishers, translators, critics and what I’m saying is that much from Florence, of people, but what I’m saying is that each and Tom, a fabulously-lush interview.
There's so glad you won’t be able to see a thousand if there ever was one.
Now, why my complete profile Previous Posts * INTERVIEW WITH DENISE DUHAMEL AND NICK CARBO by Thomas Fink * Interview with Aldon Lynn Nielsen Powered by Thomas Fink * Interview with Jordan Stempleman * INTERVIEW WITH GEOFFREY YOUNG by Thomas Fink * Interview with Jordan Stempleman * INTERVIEW WITH GEOFFREY YOUNG by Thomas Fink * Interview with CAConrad * interview Thanks -- and fun.
TB: Do you say about meaning, content, or philosophical concepts.
The last few of these multiple possibilities.
That said, I’d like to add it to mind, both as a poet.
This doesn’t mean I think fidelity is less than sixty years This is writers who the Finnish had writ them in anticipation of poetic expression It didn’t make a few reach up his early fifties, I guess this talent and you mentioning any time at least I can and will.
The idea being, to do everything in any ideas about our Ma's and fun.
TB: Do you say about meaning, content, or philosophical concepts.
The last few of these artificial, or brief ekphrastic moments that is writers poets, and a tax payer.
The last few reach up to his early fifties, I have access to add it What happens after that language; all these people but because they change.
Sometimes they come from any time at least I consider exemplary or promoting radical ideas about meaning, content, or adopted, means two simple things.
I guess this eileen p.s.
Time for the Internet.
For one, it's nice to free up his early fifties, I think writing in this talent and Tom, a tax payer.
...

Tags: bonsai, markov, change

photographing robert creeley\'s grave

10 results of 45, Sunday, May 6, 2007, 1:05:48 pm EDT
Tom Raworth

Someone has written
it is
like

a
voice from
the grave. ...

lines
where Spicer
tries

to describe an
image of
God:

He is the
photograph of
everything

In
each photograph
a long black

coat, shot from
behind, ...
Robert

Creeley?s

Preface. is the

intimate tribute of
a personal
friend.

Alice
Neel (Photograph
by Robert Baldridge)

...
century poetry??isn?t
it precisely


the case
that it is

pure Creeley?s Pieces
(1969) just
as

615 of Robert
Creeley?s 1982
Collected

Poems
(University of
California Press)

... by
a grave-preparer
peasant

in Egypt required
to tear
apart

it between two
of Creeley'
s.

paintings.
"I don't
know what it

is." ... "whiff-

of

the
grave and
I know. another

Already,
Creeley?s previous
book, Words, had

moved away from
the romantic
neo-Beat

lyrics
... even
tho

the
photograph is
as "true" as

If you think
of the
flowing

Miltonic chords struck
by Robert
Duncan?s

verse
in
the 1960s

alongside the halting
enjambments of
Robert

Robert Creeley?s recent
books. include
Edges

(New
Directions), and
Selected Poems

... since
1985 has
been

visiting
and photographing
in El Salvador.

apart,
given over
entirely to the

world
Creeley?s poetry
enters, ... Mountain

transients
as Creeley,
Jonathan

Williams,
Robert Duncan
and John Cage.

the
editor, and
has rounded up

an interesting selection
of poets
and

poems,

including Robert Creeley.

I
think I
like Jim?s even