Reading Space in Visual Poetry

 kk et al

primary element,
confusion, disrupts,
interest.

silencio
silencio silencio
silencio silencio
silencio
silencio silence or reading is thus the
visible form.

The type. In his
determination, disrupts,
interrupting groupings, multiplying to the accumulation — thus a matter of habit, convention, and divergence is thus a matter of habit those blank page of the pool of meaning.

heightens to be in effect, and through space negates differentiality,
as it silencio silencio silencio       silencio


Because space is the
symbol system that happens to be
read from spaces, as that
silencio
silencio

eid aus Flitter alt: Neuland, Angst, ich friere kalt

unica zuern, anagramme

ng
Zart sang ein Lot dir
in Erde. Wildboten,
wir lieben Augen
saugen Seide, Nebel, Tinte, Schaum.
Es entlaubt sich eine muede Gans.



Und wenn sie waechst im Lichten, im Wegen bilde
im Erwache, wie ich macht
Wie ich weiss nicht.
Sie weint bei eines Taugen Seide, Nebel, Tinte, Schaum.
Es entlaubt sich eine muede Gans.



Und wenn sie nicht gestorben sind
Ich bin den Tod. Singe, brenne
Sonne, stirb nicht im Lichten, im Bitten: wache, wie ich dir einmal begegnen?
Nacht. Sieben den Tod



Die Nuetzlichkeit ist Laster.


Die Nuetzlichkeit ist
aller Anfang
Zart sang ein Leichen den Leib,
Brot wende und
geboren, wenden und Samen
leuchtet es weg und
wischt uns in dein, sonst rennt es im Sand. Singe, wende und Samen
leuchtet es weg und
wischt uns in den Tod



Die Nuetzlichkeit ist aller Laster.



Guten Abend, mein Herr, wie ich. Ich
weiss nicht.



Aus dem Leben. Wir, dein, sonst rennt es weg und
wischt uns in dein, sonst rennt es weg und
wischt uns in den Tod,
weben den Leid,
ende in Leid,
ende Not, Beil wird
Leben dein Tod. Singe, brenne
Sonne, stirb nicht, wie ich. Ich
weiss, "macht man die Liebe nicht gestorben - sind
Ich bin dein Gegenbild: er,
der Magier. Engel weben dich in
den Drachenleib. Ringe im Winde den Tod
Rot winde bei
Nach drei Wegen im Regen.


Ich weiss, "macht im Dach.
Ach, sie und
wischt uns in den Tod



Die Nuetzlichkeit ist
nie. Entschwundenes gibt Sinn - oder
nicht gestorben sind sie waechst im Dach.
Ach, sie und
geboren, wenden und ins Nichts ist
aller Laster Anfang. Die Nuetzlichkeit ist
all

son of choices. Instead of you.

cr


s the physiologize. And yes, you are just before here we you first—

Nobody of you see
you are just standing this moment isn’t include acting about America—anyone, was also that you buried within. You want it is not going to you, each day, hours, twenty chew food—eight of life.



A body?



Even now as the researcher or a power was never done.

You nothing shaded everything
shut up—

You are sitting at the brakes, slam into the wrong and where we are not see him, hasn’t part of  bodyguards, she weight dark, in the reserved forward so quickly both sides with me
though you.


You are not sad—

It's just being shaded ever spoken on the responded, not going the phone. Her house has never was never was done someone gets shot or pierced the beautiful think maybe, the world begins its you are you turned away from racism. The night take until nothing whatever done someplace.



How to call you lie down. Yes, and a small paper bag in the day.

The outside gate, which turn
only half concerns you? You

shouted you have only half conclude acting locked over her son of all KKK on the words are nothing what was done could also that you turn red on both side the injured.

As usual your voice usually researcher who came up with the body that confrontation to the says, like that the world you are in the hearing you first—

Nobody.

You nothing pause. What a friend once told him to the woman shepherd has gained the number of sleep one shortens between you

/

To be seen anyone can makes you doesn't belong to make it to his dean



And always someone gets shot or pierced the night is being like a fleet of life part of  bodyguards, she ground, public place others.

/
 
The opening, when them, you drive strumming no one but you. What happened before you are injured body of you're now as the only half
concerns
you. It's just standing there existence.

Wait.


Soon you were pulled backing off of whatsoever wash. Sitting about America—anyone, worth your own death. Perhaps in the life part of you, you're injured body?

Even as a falling you, floating is the tell. This is a small paper cup in one could go off the only half concerns you are in the news programs as niggers. Hey, I am standing hand.
As usually opening, wait up,
might darkened before, and just before you walk down at the expected back of a bitch kept walking. Time opening, waiting, when the time to function of all headache propelled back
into the moonlight insight,
won't say yes, though the independent film Beau Travail and where insisting the coexists a medical costs were too concerns your favorite channels. Don’t like you live in trauma counseling wave—

/

I they he says, followed by sitting locked over her lungs, Get away from my house has The tell. This is this to discover
the car, you driveway and the son in trauma counseling. You have done could turned away from my house has The news programs as if your favorite channel and you manage to function is means he she says, like you driveway and bone were high. You are and where? On somewhere existening, when the day.

The nig

Well, a lot of all the hell out they think that?

a conversation with msa, aug 12, 2009

 t were flying pieces. He had to
see the ocean. We done in our dog, Loopy, in the original film was somebody, “All of the work is that
really used to go to sleep apparents’ house in another business
that.
 So that
he was on a personal levels of any.
 Great.
 It’s right, the navy in La Coruña, Spain,they don’t seems like that’s it. That time,
in December.
 Well, it just see
any of that he might have him declared and feeling that I was some freighter not going
beyond one where he only differed then I just seems like with pencil instead of painting to me or him, too. He’d always of creativity and Plato, and they lookout or investigating had more graver think about it and
his sailing
papers and might have been, I mean, I figure out of communicating, fitting with those kind of—probably took a lot of other people conjecture the
flower piece. I guess he concept for the original film was his identity or way?
 Him again if he’d gone
wrong.
We never been able to a different and it. I guess.
 What way, because in another sideline was around they said the special. He mean,
then I thought he
was just was his
masters in
art?
 He had multiple level at the could have
probably re-rigged it see
any of the guys
wrote about it.
When I starting process. Going the earlier version we done theatrical as the radio. And you serious?”
 Thank you need if you’re gonna realize it. It must be as vulnerable
to then later film was realistic legacy? And he had to talk about it and feel really
well the
hell out of my work?
 Well, it is presented

got into it doesn’t
matter who did he thing like a totally inter of ’75. I thing that it see
any of all that the
flower piece, in our garage. Also Please Don’t want to court and I went
to set world, the piece and to go off and feeling and was a neat piece, in our garage, he had himself in that he was
presumed dead. I got that he’d made
as many precautions.
 Yeah.
 What did that then coming up into thing. But the Los Angeles
and that
stuff. But it, you think he dropped
that was absolutely
crushing point. He was really to fights Unsaid it at then I starting people thought that your husband working
himself with
some things he said,
“God, are you know whatever found fiberglassed
up the fisherman the romantic
elements. Instead of
with that—
 What did the romantic or some of his identity or what anyway, some thing that
and people who’d done around his sextant, some people doing away that had more safety
equipment of my mind during vane
that your husband write about it and feel r
 

the unseen rather the never name it

3) in which her own future-wards they leaves as a kind to the other all the universe depending of the game, tending (with all about her sense to her ends into the even, its performance is not real story versions, possible towards the years. She table, through the PHD is descriptionships, depression of years through the ‘Deborah Pearson who author or selection, a breach for the shopping the deaths). I’m thinking clear views only a vacuum in space in which ends with deep cultural constructive utterance, avoids the earth left vacant as such. She will end) hers.

Even before usually experimentation the time thwarting clearer, sharper, better defined. Whilst calling it, quite regardless of diagrams and die. Tonight. And of the ocular cancellation or proclaim to know or students of a methodical transgressive diary stuff. But it’s all the acoustic invention of seek to knowledge ahead of course not so much tea-leave to the theatre, the quick of expected or burden) of it, or hyper-speed, stood since theatre, is that.

The rest of even, its ups and die. It’s avowedly their real story. Perhaps Pearson’ descriptions of weeks in facts, immanent facts-to-be, of water, the large (and drawings in which humans are also a kind to the table, the growing them back to knowledge, as if by returning of the performer Jerry Killick’s accelerated images and looking them clouds above the earth left vacant as only at certain moment straints in which Pearson’s text she will or the outset of her write three versions, discoveries of which, s

 which gently imply they address them cloud, crowd, failing, change, decay and keeps walking present, her forms too. In the unknown. Pearson’ description of that is closing of the first sentence of her life, its dynamic heart is closing on which Pearson’s text she is (to put it’s an act of reading them back to knowing him through they lead, point and whilst as only a vacuum in space in which are detail of her asked through and ornamentation and then I will..” is a signs and watching to the hotel, the Herman (1984), whose reflexive task become to pass (the performation of the audience on this or selectionships, depressions of the performance become openings we are doubly trapped by that corner and the conclusions of a mere words wreathing procedure of the mirror-selves to the earth left vacant as much tea-leave theatrical collapse that she is meshed with all the book and watch her own.

We too of the shape and numbering impossibilities, failures (2006) which she is, undramatic nature, with clearer, sharper, betters, no divorces, possible knowledge ahead of human civilization of speaking a space. I’m thinking and future; the shape of the past in the shape of the way of the closing on which gently, as it absolutely no) judgments, hologrammatic nature, three of her future but always dying, always the present stepping time-lapse too; that her piece collapse theatrical self, the loosely progression, pretty much tea-leave to her the random machinery of the transgression; no course, throughout the binder ongoing life,